To borrow a line from “The Pursuit of Happyness,” “I call
this part of my life ‘Getting Noticed.’”
I walk beside her. All eyes on her. Her legs and her figure
and who knows what else.
I walk alone. Some eyes on me. My... aye, what do I know? I got two legs, two arms, and all the other
body parts the one next to me had the previous day.
The packed dance floor. Does anyone else see the civilized
vultures moving across the hardwoods? The laughter that is anything but
genuine, the hugs that are anything but connecting, the dance moves that are
longing for recognition. The fake posture of confidence and ease. I see
ill-at-ease. One of the best lines I’ve ever heard was “Those who know don’t
speak.” In this case, those who are don’t show. Don’t show the muscles on steroids, the “cool”
walk, the high chin, and the holier-than-thou attitude. Oh yes, that will
certainly get the attention of the crowd. We will stare. We will admire. We will
indulge. Some of us will fall prey. Some of us will want to cry at the blatant
display of self-ignorance and emptiness. The next quality making its entrance
is a great nemesis of mine. We have battled many o’ time, and it keeps coming. Aggression
rushes in, perhaps, out, like a flood, like a sprinter out of his starting
blocks, like a hungry lion out of its cage. You have seen it, too. It’s that
woman whose body language, whose verbal language, and whose energy bestow
themselves upon her victim and suffocate the innocent. “Notice me!” is her cry.
It’s the man whose walk, whose talk, whose lead overwhelms what has now become
his quest, to be turned into a conquest, sending her into a space of serious discomfort. “I am important!” is
his message. Between the “notice me” and the “I am important,” there is
miniscule room for a meaningful conversation to take place. Hence, “I call this
part of my life ‘Pathetic, painful, preposterous.’”
I see the two feelings on the dance floor. I see those same
two feelings in me, and I ask myself a simple question. A basic question. A
question my mama didn’t ask me. What I would like to know, what I really want
to know, moving beyond the legs and the arms and all the other body parts, beyond
the make-up, and the dress, and the cars, and the jobs, is when on earth will I notice
myself?
I would then call that part of my life “A Triumph.”
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